Inception
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Inception
Ingenious sci-fi brainteaser in which, at the behest of a powerful CEO (Ken Watanabe), a corporate spy (Leonardo DiCaprio) who uses "shared dreaming" to extract secrets from the minds of sleeping executives leads a team of skilled collaborators (Joseph Gordon-Levitt, Ellen Page, Tom Hardy and Dileep Rao) on a raid into the subconscious of the heir (Cillian Murphy) to a rival business. Writer-director Christopher Nolan achieves a tour de force of spectacle and suspense that eventually involves four adventures unfolding simultaneously at different levels of consciousness, though his crafty action tale is rife with explosions and gunplay and engages the imagination more than the heart. Much violence, some of it bloody, several uses of profanity, a few crude and crass terms. A-III -- adults. (PG-13) 2010
Inception (Full Review)
With "Inception" (Warner Bros.) -- an action film resting on a science-fiction premise -- writer-director Christopher Nolan achieves a tour de force of spectacle and suspense. But, like many a less-sophisticated offering in the action genre, this ingenious brainteaser is rife with explosions and gunplay.
The price of admission to this wild ride includes accepting that, by the use of a mysterious gadget, characters can enter and share other people's dreams as they sleep. The master of this futuristic art is Dom Cobb (played with striking intensity by Leonardo DiCaprio), a corporate spy who uses his skills to intrude into the minds of high-powered executives and extract their most treasured secrets.
But Cobb is also a fugitive whose tempestuous past -- the details of which are revealed to us only gradually -- has left him haunted by the specter of his deceased wife, Mal (Marion Cotillard), and unable to return home to his two young children.
So when Japanese CEO and behind-the-scenes string-puller Saito (Ken Watanabe) offers to have his legal slate wiped miraculously clean in exchange for a successful mission targeting Robert Fischer (Cillian Murphy), heir to a rival business that threatens to undermine Saito's empire, Cobb accepts.
Instead of tricking Fischer into disgorging information, on this particular raid into the subconscious, however, Cobb must plant an idea in Fischer's head and make him believe it to be his own, a nearly impossible undertaking, which those in the know refer to as "inception." Cobb is assisted in this by his longtime partner Arthur (Joseph Gordon-Levitt) and by a team of new collaborators -- architecture student Ariadne (Ellen Page), experienced dream traveler Eames (Tom Hardy) and shady chemist Yusuf (Dileep Rao).
With Mal, meanwhile, getting into the habit of making unexpected and unwelcome appearances in Cobb's dreams -- her incongruous presence could immediately destroy the elaborately constructed illusion he and his crew have prepared for Fischer -- Cobb is increasingly caught between his professional aptitude and his personal instability.
While taut, complex -- by the latter stages of his drama, Nolan is deftly shuttling among four different adventures unfolding simultaneously at various levels of Fischer's consciousness -- and undeniably crafty, "Inception" engages the imagination more than the heart. Thus, though the Freudian-style conflict between Fischer and his dying father is at least intermittently affecting, the bond between Cobb and Mal never quite rises to the level of a touching romance.
Still, adults in search of challenging fare, and not adverse to some (mostly stylized) mayhem, will likely find this cinematic Rubik's Cube quite intriguing.
These movies have been evaluated for artistic merit and moral suitability by the media reviewing division of Catholic News Service. The reviews include the CNS rating, the Motion Picture Association of America rating, and a brief synopsis of the movie.
The classifications are as follows:
A-I -- general patronage;
A-II -- adults and adolescents;
A-III -- adults;
L -- limited adult audience, films whose problematic content many adults would find troubling. L replaces the previous classification, A-IV.
O -- morally offensive.
Note: Some movies previously were designated A-IV. Older films with this classification should be regarded as classified L.

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